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Faq - Is The Tintin Movie Going To Destroy Tintin Herge's Much Loved Comic Creation
By Holly
The view of many is that a Tintin movie should never be made even though those behind the project argue they will make a true recreation of the Tintin ligne claire style of the adventure comic written by Tintin's creator Herge. Here is an argument to suggest a Tintin movie would never work as a Hollywood blockbuster.

I'm wondering whether the narrative style and the character of Tintin is well-suited with the way Hollywood films (especially children's/family films) are scripted in modern cinema. The problem for any Tintin movie is that Tintin lacks "back-story", i.e.: no relatives, no account for his lack of family, no psychosomatic "issues" about his lack of family, etc. Tintin is just a teenage reporter characterised in a world of adventure by often with his fox terrier companion Snowy but otherwise nothing but the clothes he stands up in, with strong qualities of allegiance, inventiveness, cheerfulness, doggedness and valour, but not much in the way of a unknown angst or thoughts and what makes Tintin, Tintin. I think Tintin's simple canvas character (harmonized by ease of the way he's sketched) is what allows Tintin's adventures to be so delightful to read, especially for families and children. He's a kind of standard, like the youthful hero in many a folk tale or myth: a hero whom a booklover can easily visualize themselves to be.

While this kind of youthful, straightforward, mysterious hero would fit well into the sort of that Herge would have been watching when he invented Tintin - the silent of Harold Lloyd, Buster Keaton, Charlie Chaplin, etc. Is it possible visualise it installed into the kind of Hollywood makes today? Look at the recent Disney Winnie the Pooh films, for instance, in which Tigger (being the only one of his kind) needs to go off and try to trace his Tigger roots, and Piglet needs to find his inner-hog or determine issues about being diminutive. Then take the recent film version of The Cat in the Hat where the two children seem to have been given psychological hang-ups and issues for the cat to psychoanalyze. The film most recently guilty was the terrible and redundant sequel, Jungle Book 2, in which Mowgli has to resolve his inner-conflict between his early life with Baloo and his new life with the human beings.

None of this psychoanalysis

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